Reliefs: Orpheus and Eurydice (1944, Breker-Museum)
Apollo und Daphne
Sculptures: Prometheus (1935)
Eos (1942)
Psyche (1941)
Breker's rehabilitation led to backlashes from anti-Nazi activists, including controversy in Paris when some of his works were exhibited at the Pompidou Center in 1981. In the same year anti-Breker demonstrations accompanied an exhibition in Berlin. Breker's admirers insisted that he had never been a supporter of Nazi ideology (despite being a member of the Nazi Party), but had simply accepted their patronage.
No comments:
Post a Comment